‘Director Kamila Kuc on bringing Abkhazia’s painful history to the screen’, A video interview with Sam Goff, Klassiki


‘What We Shared: bringing the traumatic history of Abkhazia to the screen with artist Kamila Kuc’, an interview with Sam Goff, Klassiki.


Dara Waldron, ‘Other Realities’, Visible Evidence Forum, 23 July 2023.


Thomas de Waal, ‘On Memory, Loss and Mental Divisions: Reflections on Abkhazia, 1992-2022’, at www.abkhazia.co.uk, 14 August 2022.


What We Shared reviewed in Michael J. Kasey, ‘Like life, only more so’, Boulder Weekly, 28 July 2022.


Dan Schindel, ‘Prismatic Ground Tries to Change the Conversation on Experimental Documentary’, Hyperallergic, 3 May 2022


Michael J.Kasey, ‘Mimesis Documentary Film Festival 2022’ Review, MJC, 1 August 2022.


What We Shared as one of the highlights of the July programme at Art Kino, Rijeka, Croatia, 5 July 2022, Novi List, 30 July 2022.


In conversation with Thomas de Waal, after the screening of What We Shared at the Pushkin House, 16 June 2022.


Interview about What We Shared with Jennifer Howard for the 60th Ann Arbor Film Festival.


What We Shared among top five films of 2021 chosen by cinema critic and programmer, Gareth Evans, in Roger Koza, LA INTERNACIONAL CINÉFILA 2021


Emily Maskell, ‘What We Shared’ review in The Calvert Journal, no.22, November 2021.


What We Shared reviewed in Ben Nicholson's 'The best of Experimenta at BFI London Film Festival 2021', Sight & Sound, October 2021


What We Shared named among ‘the finest examples of UK filmmaking’, Festival Scope Selects.


What We Shared on Red Carpet News TV, 4 November 2021.


What We Shared featured in Helen de Witt’s ‘Urgent upheavals: artist films that call for new understandings of complex times’, What To Watch at the LFF, BFI Website


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London based Bomb Factory Art Foundation´s Artist´s Film Festival Feature is out!

Johannes Agboifo, Dagmar Schürrer and myself in conversation with the artists Pallas Citroen, Shezad Dawood and Nooshin Farhid can be found on the same page.


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noonwraith blues reviewed by Michael Sicinski, ‘Cross Purposes: The 2020 Crossroads Festival’, cinema scope online.


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Kamila Kuc in conversation with Al Nigrin about noonwraith blues for the 33rd United States Super 8 Film + DV Festival, New Jersey Stage.


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Kamila Kuc and Rob Godman, in conversation with Carola Rossi, Bienal de la Imagen en Movimiento, Mirarnos a los ojos online edition, ITGV.


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Interview for Bienal de la Imagen en Movimiento, November 2018.


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Interview by Josh Ryder and Melissa C. HilbornPeripheral ARTeries Contemporary Art Review, Biennial Edition, October 2017


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The 56th Ann Arbor Film Festival, where I Think You Should Come to America played in the Main Competition programme, March 2018


Review of I Think You Should Come to America by Francesca Rusalen and Francesco Cassin, L'emergere del possible, 3 May 2017. 


Review of Batum by Francesca Rusalen and Francesco Cazzin, L'emergere del possibile, 24 March 2017.


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Interview that marked my employment as Course Director of BA (Hons) Media Production degree, Coventry University, UNCOVERED, Coventry University, UK, August 2016


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Radio interview by Zbigniew Banas at the 2016 Austin Polish Film Festival, Austin, TX, October 2016


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‘The early films of Roman Polanski. An interview with Kamila Kuc’, Roman Polanski: Vie et destin de l’artiste (Paris: Éditions Philippe Rey, 2010) written by Florence Columbani, September 2009

This book interview explores aspects of Roman Polanski's early career, mainly his short films made prior to Knife in the Water (1962): 'Polanski a un raport instinctif avec le surréalisme qui lui vient de sa petite enfance: il le raconte dans son autobiographie.'

Parts of this interview formed a radio programme ‘Roman Polanski: Vie et destin de l’artiste’, which aired on Radio France in August 2010.